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Malfeas


May. 22nd, 2008 02:05 pm DIY: DC Hodge Podge

Alright, well, I really already handled the two big titles I have problems with. There are other titles I have/had my troubles with, but a lot of them got fixed; are on their way to being fixed; or I simply stopped caring about.

What would I do with Robin? Bring back Spoiler and have it so Leslie took her and hid her in Africa, but she couldn’t stay away, and Batman suspected the whole time, and…. Well, you get the point.

But just to keep fresh, below are a few treatments and thoughts in keeping with theme.

Black Canary/Green Arrow

First, I’d correct that titling mishap. Similarly, I’d correct the story telling.



Truth be told, I’d probably do as much of a disservice to Ollie as the series has for Dinah. I’d force him to drive the motorcycles while Dinah kicks crime in the face.

My story would be about what happens when Lady Shiva or similar ichi ban badass comes for Canary. Ollie thinks he has something to say and almost gets himself broke in two while Canary saves the day.

The problem with this book so far is Winnick seems to think Ollie is Jesse Custer and Canary is Tulip (a capable young lady and all, but not cut out for the really rough work and ultimately to be protected).

I hate to break it to this mindless cowboy-fest but Ollie is the Tulip in this relationship. Canary just lets him think he’s Jesse.



What happens when Ollie realizes his wife humors him constantly? I would try not to be vindictive per se, I like Ollie enough. He's just so far below Dinah on the equivalent badass scale that he's just in her way. She knows it makes him happy to be all alpha male and protective, so she lets him have it.

But when the shit comes down and the League of Assassins come back for her, it’s time for Dinah to throw Ollie to the ground and keep him safe while Mommy takes care of business.



B/c that’s how Mommy rolls.

Ollie would have to come to grips with the fact that he’s second fiddle in this relationship. If people were actually digging it, I’d write a follow up where Ollie quits the hero game (temporarily) b/c he’s emasculated and lost his edge.

I would pair Dinah and Roy or Connor together for a story, but in the end Dinah comes back to slap her husband out of it. She married him so they could do the big-fun adventuring. Together. If his head is so far up his ass that her balls are bigger than his, than maybe they don’t know each other so well afterall. Ollie is forced to admit he’s always known about her balls... it’s just never been so obvious before.

They get over it together and whoever’s next on the book can tell whatever story they want, b/c it will be right there in front of God and everybody that Ollie isn’t half the woman, Dinah is.



Flash

I hear this is up for cancellation, which is a real shame. I’d like to help, but the Flash is one of my blindspots.



I love him as a character, but my brain isn’t wired to tell more than maybe one good Flash story. If that.

Let’s face it, the Flash is either far too powerful, or far too limited depending on his scope at any given moment. I dig all the Speed Force stuff, but it makes Wally a real bear to write.

Everything that’s going to be said with Flash has already been said and said well. It might be time to give him some time off from his own title and come back when someone really has something to say.

I can tell you what won’t work: bringing Barry back. This isn’t going to put the shine back on the apple, it can only wear it down further. We’ve already played musical Flashes once this year. That’s not the trick.

The trick is approaching the character with something to say for yourself, a la Waid’s original run or Johns’ recent run highlighting the Rogues. With both of those in recent memory, I would just be trying to bottle lightning, and I hear that’s ill advised.

If DC insisted, I would bring Impulse back to life, kill Barry (again) and regress Wally’s children back to infants. That'd learn'em.

Why are comics so afraid of babies and children anyways? I swear.



Supergirl

I just don’t know.



I understand Puckett is winning people over, which I find easy to believe. Puckett is very good at what he does. Even still, I don’t regret dropping the title.

If I were to try my hand at it, I would probably screw it up. I can appreciate how Joe Kelly approached the series, but we saw how that turned out.

I would like to see more stories along the lines of her Amazon’s Attack tie-in. She’s not the best hero but she’s trying. Also, I’d let her remember her run with the Legion, b/c it was formative and a good story.

Also, I'd get some super-pets up in this hizzy. Stat.

I would throw Linda Danvers in there for a story-arc. Linda could teach Kara some of the lessons she had to learn the hard way. That is, if DC is over hating PAD enough to admit Linda was really cool even if she had a zany origin.



Aquaman

Another hard one.



I definitely think Aquaman deserves to be fixed, but I understand why it proves so difficult. It’s hard to make readers give a crap about life under the sea. For the same reason it’s hard to sell a space book or a magic book. Most of your hook is gone.

As a real world person I can’t relate to the daily transpirings of under sea life. By heaping a magic kingdom on the character, you’ve just made two niche books out of one.

Which is why I totally appreciate the Sub-Diego storyline. It was a great hook, but apparently didn’t sell. Faced with the option of bowing out gracefully, DC chose the worser of two paths.

Let’s not spare Busiek the blame of pitching something so out of left field in the first place. DC should have let Busiek tell some Earth 8 story about Arthur Q. Mullet instead.



On a separate but equal topic: The real surprise to me about the rebirth of the Multiverse is they’ve done nothing with it. Elseworlds made more use of a non-existent Multiverse than DC has with an honest to gosh, living, breathing 52 worlds.

You brought’em back, so use’em. Put out a “Tales of the Multiverse” series a la JLA/JSA Confidential. Let’s get freaky with some other worlds instead of just blowing them up. Maybe if some decent stories were told, people would actually care when they blew up.

With all the Kingdom Come nonsense in JSA, and Power Girl going back to Earth 2, maybe, just maybe we can get some division of labor between Earths again. Or maybe Johns is the only one who knows what the fuck is going on and thus is the only one comfortable using these made up worlds.

What was I talking about… oh, right, Aquaman!

So, yeah, the real Aquaman needs to return, and go back to Sub Diego. He’s got an awesome supporting cast and all the history he needs. But really, it’s okay if he doesn’t carry his own book for awhile. Just have him hanging out ready to use in the JLA or Batman and the Outsiders or something.

In a couple of years when some bright-eyed turk comes up with a decent pitch, he can try again with the real Aquaman. Not this Earth 8 nonsense.



X-Men

It’ll take its own week for me to fix what’s wrong in the X-universe.

Short of the obvious reboot needed.



But color me thinking about it.



I know, I know. I’m cheating on some of these by suggesting they should be cancelled or otherwise saying I got nothing.

But sometimes knowing what you can’t do is just as important.

Opine


May. 16th, 2008 02:41 pm Friday Night Fights Classic: Round 5 + Yo’ Mama Week Rap-up

If I was really smart I’d have some Mother’s Day fight lined up to finish off Yo’ Mama Week…. Well, I don’t know how smart I am, but I can bring you Addie Wilson’s boy fighting a fleet-footed orphan.

Yeah, let’s do that.

Tonight’s card:

Joseph “Jericho” Wilson

versus

Richard Jonathan “Nightwing” Grayson



We all know I’ve had some problems with Nightwing lately. But what better way to show my deep and abiding—mother-like—love for the character than dragging out old pictures that show him in a less than flattering light.

Remember back when our boy was just coming into his own?

Fresh out of shortpants and making new friends, like the wife and son of his obsessive arch-enemy?

Back when it was okay to dress up in disco collars or blond muttonchops… while you announced your name in your own specialized font?


“This was supposed to be my coming out party, now it’s a double?”

Let’s face it, the real question is how are these two ever going to settle who’s the bigger queen?

It looks like they’re already well into the formal wear portion of the Miss Closet-Gay America competition, and it’s a dead heat from where I’m standing.

Maybe a good old fashioned staring contest will settle this?


“Must… quit… you.”

If I’m any judge, I’d definitely say Joey is pulling ahead. Somewhere between his Admiral of the Rainbow Navy outfit above and now he “has” Nightwing with a stare.

But Dick is like Hilary Clinton, in it to the bitter, a-mathematical end.

Afterall, he’s Nightwing now! This is his moment.

He’s all growns up and out from under Batman’s shadow. So much so, he dressed up in blues and yellows and named himself a synonym for bat!

Smart money’s on Master Grayson, he’s sure to win a physical joust!

Ding, ding, ding!


“Why you hittin’ yourself? Why you hittin’ yourself?”



Well who saw that coming? Dick apparently suffered a violent moment of homo-panic and gay-bashed his own self!? This is why they play the game, ladies and gentlemen.

Winner by KO:
Addie Wilson’s boy!

She must be so proud.

Both of you back to your corners and don’t be such a poor loser, Dick. Turns out neither of you are gay, it’s just the 80s.


Yo’ Mama’s Top 10 )


You know who loves his Mama but never hits himself?

If you guessed Bahlactus, advance to the next round.
First appearance of Nightwing (as Nightwing) and Joe (as Jericho) brought to you by Marv Wolfman and George Perez. Two bad mothers in their own right.


Opine


May. 15th, 2008 01:24 pm Great Moments in Motherhood

We ain't done with you mutha's yet!

Brought to you by another adorable duet from the past year in DC Comics: A Great Moment in Motherhood!

Before Black Canary got married, she was a person. No seriously, she had her own motivations and desires and everything.

It was cute.

Among those displays of weakness was the urge to turn something broken and ugly….


“Sister, I don’t understand, no one gets hurt in this game. How do you know who wins?”

Into something beautiful and filled with joy.


“I see now, no one has to die. It is… how you say, Solitaire.”

Mission accomplished.

Shit that only took, like, one issue. Now what?

I mean, we all know that Ollie isn’t great with kids, tweens, teens, young adults or adults, really. Oh well, I’m sure he’ll be able to think of something to do with the noisome little pest, afterall, nothing’s too good for his lady.

She’s going to need her hands free to steer the motorcycles while he’s chasing all over the globe after his kid’s killer…. Hey! Maybe Connor still has the phone number to that monastery.


Opine


Mar. 18th, 2008 07:16 pm Last Week in Comics

I wasn’t even going to review comics this week b/c I’m feeling the burn of lots of deadlines crowded into a little space. For which I’ll ask for all of your patience in the next few weeks.

But tell you what, b/c I love you all, and I could use the quick distraction here’s a few half-formed thoughts.




Countdown #7

Booooring. And completely useless. Everything moved around from last issue killing any sense of continuity. Harley and Holly don’t have their powers anymore? Whuh-why? You know what, don’t bother. I don’t care. I have so many other things I’d love to bag on about this issue, but it would be akin to kicking the dead.

I’m buying #6 through #1 only because having 45 issues out of 52 is nonsensical. I wish I had heeded everyone (including my own) advice and jumped off long, long ago.

So… who thinks Trinity will be any good? (sigh).

Last week's Countdown once again tried to force-feed us why Captain Nathaniel Adam of the U.S. Air Force has become a meglomaniacal, purple-prose-prone supervillain. It continues to be one bad day in Blüdhaven --but now with added shadowy Monitor manipulation!

Nope, still don’t buy it. Try again. Try harder. Try like someone gives a shit about the character you’re ruining instead of like we’re comic fans who will accept any old thing you tell us.

You should know different by now. We’re whiners.

Nate deserves better. We deserve better. Joe Gill and Steve Ditko deserve better. Seriously.

Black Canary/Green Arrow

I was getting really mad when Ollie was the one driving the motorcycle, I really was. But then Winnick remembered this to be one of the talents Dinah is goddamn known for!


”Hey, you talk?!”

But wait! While this is a nice nod from Winnick –damn near necessary at this point. Note that Dinah takes over driving so Ollie can shoot arrows (at a high tech space craft), be the badass, and save the day.

So even here, Dinah is scenery, relegated to so much wheel man. I’m sure her glass-shattering, metal-tearing, mind-melting scream wouldn’t have been any good in this situation. Nope. Glue arrow.

Winnick needs to shape up and rec-o-nize or give Dinah back to Babs.

Booster Gold #7

Either I’m in a better mood this issue, or it’s just a better read. With the addition/reveal of Black Beetle and OMACs and dark futures and all this nonsense, I’m on board and ready for action. I’m back to being not entirely sure where it’s all going and nursing a powerful curiousity.

Good show, Johns.

Salvation Run #5

Villains are characters too. I’d like it if writers, editors, and TPTB in general would recognize this simple fact. My problem with Captain Nate Adam is the same as my problem with Doctor Doris Zeul joining the Joker’s team. In fact is indicative of my problem with ANYone joining the Joker’s team.

Nothing about this series is being pulled off and it’s honestly more disappointing than Amazon’s Attack. Clearly Willingham and now Sturges don’t know and don’t care who any of these characters are.

There are a few moments that ring truer than others -- presumably Sturges is aware of how to write, at least intellectually, and by law of averages is going to hit a few balls by merit of swinging at all.

He’s just not interested in paying attention to who’s saying what on which side of an otherwise ridiculous divide.

Wonder Woman #18

Good. Maybe even great. But not as raw-awesomely inspired as the opening storyline.

Gail is going to have to fall into a pattern eventually and they can’t all be hit out of the park, otherwise you won’t care as much when they are. I enjoyed myself a bunch and look forward to the next issue. What more could you want?

Question, is Etta supposed to be “plus-sized”? I know she was historically, but I read a recent description somewhere that asserted same. As-drawn, she’s about as plus-sized as Gert from Runaways was. Which is to say: not at all. Get on that please. Drawing a normal looking person should not count as plus-size. Thanks so much.

Avengers: Initiative #10

Man this series is just getting hotter and hotter. It’s weird, it’s completely out of control and imminently readable. If you’re not reading it yet, I’m sorry for you. You’re missing out. Certainly some of it must be in trade by now, go get you some.

Taskmaster just might be my new favorite character:




Thunderbolts #119

This continues to be a wicked-awesome good time. I wish I could be more articulate than that but it did its job: raising the stakes it’s been building since Ellis took over. If you're not reading, you won't understand.

Great payoffs and some terrific bits with Doc Sampson being quietly badass. Can’t wait to see where this is going.


How do they determine the best psychologists in the world? Is there an Olympics or something?

X Factor #29

If I was picking a Pick of the Week this week, it would be this.

It’s funny, yet moving; completely irreverent while having one of the best through-lines in current comics.


Come and Knock on Our Door; We'll Be Waiting For You...

This week was a strong showing from Marvel, although mostly thanks to the individual creators than anything the company did. Hell, X-Factor was good despite corporate meddling. That’s why it earns such high honors this week.


I admit, I’m an Arcade fan. Color me excited.

Serenity #1

Of the three series returning to Joss Whedon’s many wells, this attempt ranks in at #2. Not as good as Buffy, but altogether better than Angel. If you’re a Serenity/Firefly fan then it’s a must-have (or a must-wait-till-Trade as is your wont). Otherwise you can probably skip it.

The art is gorgeous, the writing is funny, the story looks neat. Shit, what else are you looking for from Whedon?


Feels like home.

I admit I’m a little disconcerted about this rash of Whedon’s Greatest Hits in comic form, but it’s a natural move and it could be worse. They could suck. So long as he has stories to tell and the likeness rights to tell it, what the hey.

Any chance of getting a Toy Story chronicles or the like? C’mon Lassater, everybody’s doing it.




And b/c I can’t resist picking on Pete Tomasi, even in a week where he’s not writing. I present to you, the smoking gun:


What did Jimmy Olsen ever do to you, dude?

Bruce does have so much money and so many toys it’s not like he could teach Dick the value of a dollar. Right?

That’s probably it. Afterall this is Bruce "Eff You Money" Wayne. That’s why Dick gets Bruce to buy him a historical site/museum, a dozen high-rises throughout NYC, and, well, someone has to be supporting this parachuting habit of his.

It’s a shame Bruce is such a self-absorbed loner that he never got around to giving Dick “the talk”.



Oh. Well, there goes that excuse.

That’s my comics story, and I’m sticking to it.


Opine


Mar. 1st, 2008 01:02 pm Year One Year One

New Frontier serves as a sort-of Green Lantern/Martian Manhunter, Year One. In general, I’m a big fan of the Year One genre and I like that DC seems dedicated to putting out more than a few of these puppies.

All of which got me t'noodling: who would I like to write the Year One adventures of?




The first idea that jumps out at me:

Black Canary, Year One

I wonder, if such a project is even feasible? As a generational legacy where do you pick up Dinah Laurel Lance’s story? What counts as Year One for a "lifer" such as Black Canary the Younger. I would cross over with her mother’s Year Last for the kick-off.

I definitely think Dinah is of confused enough origin that she could probably do with a good canonizing. Technically she’s her own mother from another Earth superimposed over herself during an extradimensional coma. Four issues minimum to sort that crap out. Six to be thorough.



Obviously we’ll be losing all of that baggage in a post-Crisis sort of way, all the more reason to revisit our Sherwood Florist’s early years. She needs a Year One twice as bad as her husband, who already got one (and a damn good one, seriously, pick that shit up). Besides we can get to the bottom of just when she became a natural blonde. Inquiring minds want to know. I know this has all been put together before, but it's spread all over. Let's consolidate.

Dinah being babysat by JSA alumni waiting for her chance to pick up the fight; while her mother realizes -after banging half her teammates- that she has a fucking problem and needs to quit the life and be a mom or a wife or something.



I would make much ado about the shitty home life that is the Canary household built on best intentions. Dinah Drake is about as good a mother as Darla from The Crow but wants to be better (one could argue she doesn’t want it bad enough to actually become better but that will be left off the page). Dinah Laurel willfully defies her mother but all in an effort to prove herself to the very woman she's defying. Her mom is the toughest, coolest chick she knows –and she’s met Wonder Woman (or Hippolyta or someone wearing a golden eagle).

Larry plays into the story too. Mostly lost in a bottle, spending his nights at the Department. He’s still a damn good detective when he needs to be and genuinely loves his family. He just can’t deal with playing third fiddle to his daughter and fourth to fifth fiddle to his wife anymore.

Dinah and family get close to their happy ending when Dinah tries to honor her mother’s wishes and her father’s hopes by joining the Gotham PD. When her overqualification leads to a loss of control and use of her power she’s ejected from the force.



Her father dies of heart failure shortly afterward. Emotions run high and things are said that can’t be unsaid putting the final rift between Dinah and Dinah. With no other recourse, Dinah becomes the new Black Canary and mother and daughter never say the few magic words it would take for them to reach an understanding. I’d probably leave off with her helping form the JLA, but I don’t know where that stands at the moment. I’d have to clear that with the brass.

Guest starring a young Barbara Gordon and most of the JSA in some capacity or another. Derring-do inspiring cameos by Batman and Robin.




Here’s one that surprised me:

Adam Strange, Year One

Yeah, I’m not even a big fan of the space-faring archeologist, but I would love to handle his fawnlike discovery of another world that needs him to sleep with their women and use their rocket packs. That could only be super-boss.



I think there’s a lot of meat here. Plus, Adam is a character far enough removed from his origin that he could use “the treatment”. Really, that’s when the Year One stuff works best: origins so far gone as to be mostly forgotten or made completely irrelevant but the character remains. Shit, if you’re going to use Adam Strange, he might as well have a comprehensive origin within the last 20 years (maybe someone has done that I don’t know of).

I don’t even have my story yet, per se. He’s an archeologist earthman taken to a planet of people wussier than him. Their men think he’s manly, their women think he’s dreamy and they desperately need him to use their jetpacks and laser rays. You can’t shy away from the goofiness inherent in Adam Strange but at the same time you have to take it seriously. Think Galaxy Quest.



Imagine going about your boring daily routine only to be yanked through space, handed a bunch of cool gizmos and being told “We need you [INSERT YOUR NAME HERE]! By the way have you met my super-hot daughter/son/tri-sexual cousin?” You’d never leave, right? Right.

I’d have to brush off my Strange lore, but I’d love to give it a shot.




Catwoman, Year One

Either to rid her of Miller’s Year One taint or promote it to something else. Catwoman is one of those characters whose origin has progressively become more of a mess as time wears on.



At one time she was just another thematically obsessed bat villain. Since then it’s been suicidal mothers, psychotic sisters, abusive home lives, sometimes hookers, etc, etc. She straddles the fence between good girl gone bad and bad girl gone good so much she broke my hymen. She has the JLA and Lex Luthor on her speed dial for crying in the rain.



Definitely an awesome character who’s had some highs and lows over the year. She's riding high with Will Pfeiffer at the moment, the guy who manages to make all of the above plausible. So let’s cement her origin now while she’s at the apex of her cool and prevent weirder speculations later. When someone inevitably wants to give her another boob job and squeeze her into a purple suit with a tail.



There’s a lot of crap to sift through so I don’t want to nail down anything specific just yet. But as a big Selina fan, I promise to endeavor to provide your RDA of ass-kicking.




Here’s an idea:

Legion of Superheroes, Year One

The Legion jumped noticeably over their first year of development in this boot-over. It might be nice to go back and fill that in. Or with the Earth 1 Legion getting a lot of play this past year it might be high-time to revisit their origins as well.



I’d rather handle the rebooters so less people would clamor for my blood once I was done. Plus the teen-suppressing utopia provides an interesting challenge as to how these kids came together.

I would focus on the Legionnaires 3, Cosmic Boy, Lightning Lad, and Saturn Girl with significant contributions from Brainy, Star Boy, Dream Girl, Micro Lad, and Shrinking Violet -among others. Focus the story on a plot against Councilwoman Ardeen orchestrated by Sarya of Venegar. That’s right, Emerald Empress bitches. Oh yeah, I’m going there.



I would leave it open enough for the Fatal Five’s appearance in Brave and the Bold to make sense (if it needed to) and/or for Mighty God King’s interpretation as time fugitives from the 24th Century.

Special shadowy guest narration by the Time Trapper!



I know what you're thinking. Now's when Marty whips out the old Amethyst, Princess of Gemworld to cap off his many pitches to DC, right? Right? No, actually. Amy's story is her Year One and I don't really see any need to retell it. So there.

Now, her Year One post Infinite Crisis where she can clearly be seen using magic on earth... that might be a good story. DC, call me!

Who else would make a cool Year One?


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